{"id":207462,"date":"2017-10-06T19:43:15","date_gmt":"2017-10-06T19:43:15","guid":{"rendered":"http:\/\/lorenzopalomo.com\/project\/the-sneetches\/"},"modified":"2021-04-29T18:23:56","modified_gmt":"2021-04-29T18:23:56","slug":"the-sneetches","status":"publish","type":"project","link":"http:\/\/lorenzopalomo.com\/de\/project\/the-sneetches\/","title":{"rendered":"The Sneetches"},"content":{"rendered":"

[et_pb_section fb_built=“1″ custom_padding_last_edited=“on|desktop“ admin_label=“section“ _builder_version=“3.0.85″ background_color=“#fbf1e3″ custom_padding_tablet=“50px|0|50px|0″ transparent_background=“off“][et_pb_row custom_padding=“80px||80px|“ padding_mobile=“off“ column_padding_mobile=“on“ background_color_1=“#fbf1e3″ parallax_method_1=“off“ admin_label=“row“ _builder_version=“3.0.85″ background_color=“#fbf1e3″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“][et_pb_column type=“1_2″ _builder_version=“3.0.47″][et_pb_text _builder_version=“3.0.89″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ module_alignment=“left“]<\/p>\n

The Sneetches<\/h1>\n

Dr. Seuss\u2019 The Sneetches<\/span><\/h6>\n
\n

Sinfonisches M\u00e4rchen f\u00fcr Erz\u00e4hler und
\nOrchester & Erz\u00e4hler und zwei Klaviere<\/span><\/p>\n<\/blockquote>\n

KOMPOSITIONSAUFTRAG VON
\nDR. SIDNEY & BARBARA SOBEL
\n<\/span><\/h6>\n

[\/et_pb_text][et_pb_divider show_divider=“off“ height=“30px“ _builder_version=“3.2″]\u00a0
\n[\/et_pb_divider][et_pb_image src=“http:\/\/stage.lorenzopalomo.com\/wp-content\/uploads\/2017\/10\/mzl.tvhdnogo-1.png“ show_in_lightbox=“on“ _builder_version=“3.0.89″]\u00a0
\n[\/et_pb_image][et_pb_text _builder_version=“3.0.89″]<\/p>\n

Bildnachweis<\/span><\/a><\/span><\/p>\n

[\/et_pb_text][et_pb_image src=“http:\/\/stage.lorenzopalomo.com\/wp-content\/uploads\/2017\/11\/a-LorenzoPalomo-SidneySobel-BarbaraSobel.jpg“ show_in_lightbox=“on“ _builder_version=“3.0.89″]\u00a0
\n[\/et_pb_image][et_pb_text _builder_version=“3.0.89″]<\/p>\n

Mit Dr. Sidney und Barbara Sobel<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“3.0.47″][et_pb_gallery gallery_ids=“206453″ posts_number=“2″ orientation=“portrait“ show_title_and_caption=“off“ show_pagination=“off“ zoom_icon_color=“rgba(250,248,245,0)“ hover_overlay_color=“rgba(237,176,89,0)“ hover_icon=“%%43%%“ _builder_version=“3.0.89″ pagination_font_size_tablet=“51″ pagination_line_height_tablet=“2″ box_shadow_style_image=“preset3″]\u00a0
\n[\/et_pb_gallery][et_pb_divider show_divider=“off“ height=“10px“ _builder_version=“3.2″]\u00a0
\n[\/et_pb_divider][et_pb_audio audio=“http:\/\/stage.lorenzopalomo.com\/wp-content\/uploads\/2017\/11\/4a-CUT1-SNEETCHES.mp3″ title=“THE SNEETCHES \u2013 SELECCI\u00d3N 1″ artist_name=“Orquesta de Oberlin “ album_name=“Erz\u00e4hler: John de Lancie | Dirigent: Raphael Jim\u00e9nez“ _builder_version=“3.0.89″ title_text_align=“center“ title_text_color=“#000000″ title_font_size=“16″ caption_text_align=“center“ caption_text_color=“#000000″ background_color=“#fbf1e3″ border_width_all=“2px“ border_color_all=“#d63e30″ background_layout=“light“ saved_tabs=“all“]\u00a0
\n[\/et_pb_audio][et_pb_audio audio=“http:\/\/stage.lorenzopalomo.com\/wp-content\/uploads\/2017\/11\/4b-CUT2-SNEETCHES.mp3″ title=“THE SNEETCHES \u2013 SELECCI\u00d3N 2″ artist_name=“Orquesta de Oberlin “ album_name=“Erz\u00e4hler: John de Lancie | Dirigent: Raphael Jim\u00e9nez“ _builder_version=“3.0.89″ title_text_align=“center“ title_text_color=“#000000″ title_font_size=“16″ caption_text_align=“center“ caption_text_color=“#000000″ background_color=“#fbf1e3″ border_width_all=“2px“ border_color_all=“#d63e30″ background_layout=“light“ saved_tabs=“all“]\u00a0
\n[\/et_pb_audio][et_pb_audio audio=“http:\/\/stage.lorenzopalomo.com\/wp-content\/uploads\/2017\/11\/4c-CUT3-SNEETCHES.mp3″ title=“THE SNEETCHES \u2013 SELECCI\u00d3N 3″ artist_name=“Orquesta de Oberlin “ album_name=“Erz\u00e4hler: John de Lancie | Dirigent: Raphael Jim\u00e9nez“ _builder_version=“3.0.89″ title_text_align=“center“ title_text_color=“#000000″ title_font_size=“16″ caption_text_align=“center“ caption_text_color=“#000000″ background_color=“#fbf1e3″ border_width_all=“2px“ border_color_all=“#d63e30″ background_layout=“light“ saved_tabs=“all“]\u00a0
\n[\/et_pb_audio][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=“80px||80px|“ padding_mobile=“off“ column_padding_mobile=“on“ parallax_method_1=“off“ admin_label=“row“ _builder_version=“3.0.47″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“][et_pb_column type=“1_2″ _builder_version=“3.0.47″][et_pb_text _builder_version=“3.0.89″]<\/p>\n

\n

\u201cThe Sneetches\u201d ist ein M\u00e4rchen \u00fcber eine Schar von gelben Gesch\u00f6pfen, einige von ihnen mit einem Stern auf ihrem Bauch und andere ohne.<\/span><\/p>\n<\/blockquote>\n

\u201c\u201cDiese Sterne waren nicht so gro\u00df. Sie waren tats\u00e4chlich so klein,<\/em>
\ndass man denken sollte, sie w\u00e4ren \u00fcberhaupt nicht wichtig.\u201c<\/em><\/p>\n

Aber die \u201eMit-Stern\u201c-Sneetches denken, dass sie am allerbesten sind und vermeiden es, mit den \u201eOhne-Stern\u201c-Sneetches in Kontakt zu sein. Diese sind \u00fcber diese Situation sehr traurig und auch dar\u00fcber, nicht bei den Unternehmungen ihrer Mit-Stern Kameraden dabei sein zu d\u00fcrfen.<\/p>\n

Die Schnauze nach oben w\u00fcrden sie schniefen und schnauben<\/em>
\n \u201eWir haben nichts zu tun mit der \u201eOhne-Stern\u201c-Art!\u201c<\/em><\/p>\n

Eines Tages kommt ein cleverer Gesch\u00e4ftsmann namens Sylvester McMonkey McBean vorbei und sieht die verzweifelte Lage der \u201eOhne-Stern\u201c-Sneetches. Er bietet ihnen an, mit seiner Star-On-Maschine Sterne bekommen zu k\u00f6nnen, f\u00fcr drei Dollar – und sie sind \u00fcbergl\u00fccklich, weil sie jetzt wie ihre \u201eMit-Stern\u201c-Pendants sind.<\/p>\n

Dann riefen sie denen zu, die von Anfang an Sterne hatten<\/em>
\n \u201eWir sind genau wie ihr! Wir sind nicht mehr voneinander zu unterscheiden.\u201c<\/em><\/p>\n

Die urspr\u00fcnglichen \u201eMit-Stern\u201c-Sneetches sind nun sehr aufgeregt, weil sie \u00fcberhaupt nicht dar\u00fcber erfreut sind, ihren besonderen Status zu verlieren. McMonkey McBean erz\u00e4hlt ihnen, dass derzeit Sterne gar nicht mehr in Mode sind und dass es die M\u00f6glichkeit gibt, sie mit seiner Star-Off Maschine loszuwerden, f\u00fcr zehn Dollar – und sie bezahlen freudig das Geld, um die Sterne entfernt zu bekommen und wieder etwas Besonderes zu sein.<\/p>\n

\u201eWir wissen, wer wer ist! Jetzt gibt es keinen Zweifel mehr.<\/em>
\n Die beste Art von Sneetches ist die ohne Sterne!\u201c<\/em><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“3.0.47″][et_pb_text _builder_version=“3.0.89″]<\/p>\n

Jedoch erlaubt McMonkey Mcbean auch den Sneetches, die er k\u00fcrzlich mit Sternen versehen hatte, durch die Star-Off-Maschine zu gehen\u2026<\/p>\n

Nat\u00fcrlich entwickelten sich von diesem Zeitpunkt an, wie ihr wahrscheinlich erraten k\u00f6nnt,<\/em>
\n die Dinge zu einem schrecklichen Durcheinander.<\/em><\/p>\n

Alle Sneetches rennen nun von einer Maschine zur anderen\u2026<\/p>\n

\u201eWieder weg! Wieder hin! Wieder rein! Wieder raus!<\/em>
\n Sie rennen wild herum, von Maschine zu Maschine,<\/em>
\n und verwandeln ihre Sterne alle ein, zwei Minuten.<\/em><\/p>\n

Das geht so weiter, bis alle Sneetches keinen Cent mehr haben und McMonkey McBean als reicher Mann wegf\u00e4hrt, am\u00fcsiert \u00fcber ihre Dummheit.<\/p>\n

\u201eSie werden nie lernen.<\/em>
\n Nein. Einen Sneetch kann man nichts lehren!\u201c<\/em><\/p>\n

Aber er hat unrecht. Die Sneetches lernen aus dieser Erfahrung, dass weder die Mit-Stern- noch die Ohne-Stern-Sneetches besser sind \u2026 und sie werden Freunde.<\/p>\n

\u2026 am Tag, als sie entschieden, dass Sneetches einfach Sneetches sind<\/em>
\n und dass keine Art von Sneetches die bessere am Strand ist.<\/em><\/p>\n

Dieses M\u00e4rchen vermittelt die Botschaft, dass Rasse und ethnische Herkunft keine Trennungslinien in unserer Gesellschaft sein m\u00fcssen, dass wir friedlich miteinander leben k\u00f6nnen, ohne sinnlose Vorurteile und ungeachtet unserer \u00e4u\u00dferlichen Unterschiede.<\/p>\n

[\/et_pb_text][et_pb_image src=“http:\/\/stage.lorenzopalomo.com\/wp-content\/uploads\/2017\/10\/sneetches.gif“ show_in_lightbox=“on“ align=“center“ _builder_version=“3.0.89″]\u00a0
\n[\/et_pb_image][et_pb_text _builder_version=“3.0.89″]<\/p>\n

Bildnachweis<\/span><\/a><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=“80px||80px|“ padding_mobile=“off“ column_padding_mobile=“on“ parallax_method_1=“off“ admin_label=“row“ _builder_version=“3.0.47″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“][et_pb_column type=“1_2″ _builder_version=“3.0.47″][et_pb_text _builder_version=“3.0.89″ text_text_color=“#d63e30″ header_text_color=“#d63e30″]<\/p>\n

ORCHESTER, DIE BEREITS<\/span>
\n \u201cTHE SNEETCHES\u201d<\/span>
\n INTERPRETIERT HABEN<\/span><\/h4>\n

[\/et_pb_text][et_pb_team_member admin_label=“Orchestras“ _builder_version=“3.20.1″ header_text_align=“left“ header_text_color=“#d63e30″ body_text_align=“left“ body_text_color=“#000000″ text_orientation=“left“]<\/p>\n

Oberlin Orchestra – Oberlin, Ohio
Rochester Philharmonic Orchestra – Rochester, New York
Oregon Symphony – Portland, Oregon
San Diego Symphony – San Diego, California
Redwood Symphony – Redwood City, California
Jacksonville Symphony – Jacksonville, Florida
Crane Symphony Orchestra – Potsdam, New York
Colorado Springs Philharmonic – Colorado Springs, Colorado
Philadelphia Orchestra – Philadelphia, Pennsylvania
Buffalo Philharmonic Orchestra – Buffalo, New York
Portland Symphony Orchestra – Portland, Maine
Virginia Symphony – Norfolk, Virginia
Littleton Symphony Orchestra – Littleton, Colorado
Nittany Valley Symphony – State College, Pennsylvania
Shreveport Symphony – Shreveport, Lousiana
Saint Louis Symphony Orchestra – Saint Louis, Missouri
Detroit Symphony Orchestra – Detroit, Michigan
Tasmanian Symphony Orchestra – Hobart, Australia
Quad City Symphony Orchestra – Davenport, Iowa
North Carolina Symphony – Raleigh, North Carolina
Philharmonia Northwest \u2013 Seattle, Washington
Orquesta de la RTVE\u00a0 \u2013\u00a0 Madrid, Spanien<\/span><\/p>\n

[\/et_pb_team_member][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“3.0.47″][et_pb_text _builder_version=“3.0.89″ text_text_color=“#d63e30″ header_text_color=“#d63e30″]<\/p>\n

MUSIKMATERIAL<\/span><\/h4>\n

[\/et_pb_text][et_pb_team_member admin_label=“Music Material“ _builder_version=“3.0.89″ header_text_align=“left“ header_text_color=“#d63e30″ body_text_align=“left“ body_text_color=“#000000″ text_orientation=“left“ saved_tabs=“all“]<\/p>\n

 <\/p>\n

 <\/p>\n

Version f\u00fcr Erz\u00e4hler und Orchester
Klavierauszug
Version f\u00fcr Erz\u00e4hler und zwei Klaviere<\/p>\n

<\/h6>\n
<\/h6>\n
ORCHESTER<\/h6>\n\n\n\n\n\n\n\n\n\n
Piccolo<\/td>\n4 H\u00f6rner<\/td>\nCelesta<\/td>\n<\/tr>\n
2 Fl\u00f6ten<\/td>\n2 Trompeten<\/td>\n<\/td>\n<\/tr>\n
2 Oboen<\/td>\n3 Posaunen<\/td>\nHarfe<\/td>\n<\/tr>\n
English Horn<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2 Klarinetten<\/td>\nTimpani<\/td>\n<\/td>\n<\/tr>\n
2 Fagotte<\/td>\nSchlagzeug (4)<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nStreicher<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/et_pb_team_member][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ specialty=“on“ _builder_version=“3.0.89″ background_color=“#fbf1e3″][et_pb_column type=“1_4″ _builder_version=“3.0.47″][et_pb_divider show_divider=“off“ height=“30px“ _builder_version=“3.2″]\u00a0
\n[\/et_pb_divider][et_pb_image src=“http:\/\/stage.lorenzopalomo.com\/wp-content\/uploads\/2017\/11\/b-LorenzoPalomo-John_de_Lancie.jpg“ show_in_lightbox=“on“ _builder_version=“3.0.89″]\u00a0
\n[\/et_pb_image][et_pb_text _builder_version=“3.0.89″]<\/p>\n

Mit John de Lancie nach dem
\nzweiten Konzert in Oberlin.<\/span><\/p>\n

[\/et_pb_text][et_pb_divider show_divider=“off“ height=“30px“ _builder_version=“3.2″]\u00a0
\n[\/et_pb_divider][et_pb_divider show_divider=“off“ height=“50px“ _builder_version=“3.2″]\u00a0
\n[\/et_pb_divider][et_pb_image src=“http:\/\/stage.lorenzopalomo.com\/wp-content\/uploads\/2017\/11\/c-LorenzoPalomo-SidneySobel.jpg“ show_in_lightbox=“on“ _builder_version=“3.0.89″]\u00a0
\n[\/et_pb_image][et_pb_text _builder_version=“3.0.89″]<\/p>\n

Mit Dr. Sidney Sobel nach der
\nUrauff\u00fchrung in Oberlin.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_4″ _builder_version=“3.0.47″][et_pb_divider show_divider=“off“ height=“30px“ _builder_version=“3.2″]\u00a0
\n[\/et_pb_divider][et_pb_divider show_divider=“off“ height=“30px“ _builder_version=“3.2″]\u00a0
\n[\/et_pb_divider][et_pb_divider show_divider=“off“ height=“30px“ _builder_version=“3.2″]\u00a0
\n[\/et_pb_divider][et_pb_divider show_divider=“off“ height=“20px“ _builder_version=“3.2″]\u00a0
\n[\/et_pb_divider][et_pb_image src=“http:\/\/stage.lorenzopalomo.com\/wp-content\/uploads\/2017\/11\/d-BarbaraSobel-BrigitteHoecht.jpg“ show_in_lightbox=“on“ _builder_version=“3.0.89″]\u00a0
\n[\/et_pb_image][et_pb_text _builder_version=“3.0.89″]<\/p>\n

Barbara Sobel mit Brigitte H\u00f6cht,
\nLorenzo Palomo\u2019s Lebensgef\u00e4hrtin.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ specialty_columns=“2″ _builder_version=“3.0.47″][et_pb_row_inner admin_label=“Row“ _builder_version=“3.0.47″][et_pb_column_inner type=“4_4″ saved_specialty_column_type=“1_2″ _builder_version=“3.0.47″][et_pb_image src=“http:\/\/stage.lorenzopalomo.com\/wp-content\/uploads\/2017\/11\/e-WorldPremiere2.jpg“ show_in_lightbox=“on“ _builder_version=“3.0.89″]<\/p>\n

[\/et_pb_image][et_pb_text _builder_version=“3.0.89″]<\/p>\n

Urauff\u00fchrung in Oberlin.<\/span><\/p>\n

[\/et_pb_text][et_pb_image src=“http:\/\/stage.lorenzopalomo.com\/wp-content\/uploads\/2017\/11\/f-WorldPremiere1.jpg“ show_in_lightbox=“on“ _builder_version=“3.0.89″]<\/p>\n

[\/et_pb_image][et_pb_text _builder_version=“3.0.89″]<\/p>\n

Urauff\u00fchrung in Oberlin.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=“1″ _builder_version=“3.0.89″ background_color=“#fbf1e3″][et_pb_row custom_padding=“80px||80px|“ padding_mobile=“off“ column_padding_mobile=“on“ parallax_method_1=“off“ admin_label=“row“ _builder_version=“3.0.47″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“][et_pb_column type=“1_2″ _builder_version=“3.0.47″][et_pb_divider show_divider=“off“ _builder_version=“3.2″]<\/p>\n

[\/et_pb_divider][et_pb_team_member name=“URAUFF\u00dcHRUNG“ admin_label=“Info“ _builder_version=“3.0.89″ header_text_align=“left“ header_text_color=“#d63e30″ body_text_align=“left“ body_text_color=“#000000″ text_orientation=“left“]<\/p>\n

Oberlin College, Oberlin, Ohio
\n16. April 2012
\nErz\u00e4hler: John de Lancie
\nOrquesta de Oberlin
\nDirigent: Raphael Jim\u00e9nez<\/p>\n

[\/et_pb_team_member][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“3.0.47″][et_pb_divider show_divider=“off“ _builder_version=“3.2″]<\/p>\n

[\/et_pb_divider][et_pb_team_member name=“VERLAG“ admin_label=“Info: Music Theatre International (MTI)“ _builder_version=“3.0.89″ header_text_align=“left“ header_text_color=“#d63e30″ body_text_align=“left“ body_text_color=“#000000″ text_orientation=“left“ saved_tabs=“all“]<\/p>\n

Music Theatre International (MTI)<\/p>\n

423 West 55th Street
\nSecond Floor
\nNew York, NY 10019, USA
\nTel: 001-212-541 46 84
\nFax: 001-212-397 46 84
\nwww.mtishows.com<\/a><\/p>\n

[\/et_pb_team_member][et_pb_button button_url=“https:\/\/www.mtishows.com\/concert-selections“ url_new_window=“on“ button_text=“LIZENZ ANFORDERN“ button_alignment=“left“ _builder_version=“3.16″ custom_button=“on“ button_text_size=“10″ button_text_color=“#000000″ button_bg_color=“#fbf1e3″ button_border_color=“#000000″ button_text_color_hover=“#d63e30″ button_border_color_hover=“rgba(250,248,245,0.01)“ button_letter_spacing_hover=“5″ button_text_size__hover_enabled=“off“ button_one_text_size__hover_enabled=“off“ button_two_text_size__hover_enabled=“off“ button_text_color__hover_enabled=“on“ button_text_color__hover=“#d63e30″ button_one_text_color__hover_enabled=“off“ button_two_text_color__hover_enabled=“off“ button_border_width__hover_enabled=“off“ button_one_border_width__hover_enabled=“off“ button_two_border_width__hover_enabled=“off“ button_border_color__hover_enabled=“on“ button_border_color__hover=“rgba(250,248,245,0.01)“ button_one_border_color__hover_enabled=“off“ button_two_border_color__hover_enabled=“off“ button_border_radius__hover_enabled=“off“ button_one_border_radius__hover_enabled=“off“ button_two_border_radius__hover_enabled=“off“ button_letter_spacing__hover_enabled=“on“ button_letter_spacing__hover=“5″ button_one_letter_spacing__hover_enabled=“off“ button_two_letter_spacing__hover_enabled=“off“ button_bg_color__hover_enabled=“off“ button_one_bg_color__hover_enabled=“off“ button_two_bg_color__hover_enabled=“off“]<\/p>\n

[\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ fullwidth=“on“ module_id=“critics“ _builder_version=“3.0.85″ background_color=“#ffffff“ parallax=“on“ custom_padding=“0px||0px|“ transparent_background=“off“ padding_mobile=“on“][et_pb_fullwidth_slider show_pagination=“off“ show_content_on_mobile=“off“ show_cta_on_mobile=“off“ admin_label=“What Others Say“ module_id=“reviews“ _builder_version=“3.16″ header_text_color=“#fbf1e3″ header_font_size=“48″ header_font_size_phone=“18″ header_font_size_last_edited=“on|phone“ header_line_height=“1.2em“ body_text_color=“#fbf1e3″ parallax=“on“ custom_padding=“|||“ auto=“on“ remove_inner_shadow=“on“ hide_content_on_mobile=“off“ hide_cta_on_mobile=“off“ show_inner_shadow=“off“ button_text_size__hover_enabled=“off“ button_one_text_size__hover_enabled=“off“ button_two_text_size__hover_enabled=“off“ button_text_color__hover_enabled=“off“ button_one_text_color__hover_enabled=“off“ button_two_text_color__hover_enabled=“off“ button_border_width__hover_enabled=“off“ button_one_border_width__hover_enabled=“off“ button_two_border_width__hover_enabled=“off“ button_border_color__hover_enabled=“off“ button_one_border_color__hover_enabled=“off“ button_two_border_color__hover_enabled=“off“ button_border_radius__hover_enabled=“off“ button_one_border_radius__hover_enabled=“off“ button_two_border_radius__hover_enabled=“off“ button_letter_spacing__hover_enabled=“off“ button_one_letter_spacing__hover_enabled=“off“ button_two_letter_spacing__hover_enabled=“off“ button_bg_color__hover_enabled=“off“ button_one_bg_color__hover_enabled=“off“ button_two_bg_color__hover_enabled=“off“][et_pb_slide heading=“Was andere sagen“ use_bg_overlay=“on“ bg_overlay_color=“rgba(28,33,38,0)“ use_text_overlay=“off“ _builder_version=“3.16″ header_level=“h1″ header_font=“||||“ header_font_size_tablet=“38″ header_font_size_phone=“40″ header_font_size_last_edited=“on|desktop“ body_font=“||||“ background_color=“rgba(0,0,0,0)“ background_image=“http:\/\/stage.lorenzopalomo.com\/wp-content\/uploads\/2015\/11\/Lorenzo-Palomo.png“ custom_css_main_element=“color: #fff !important;“ button_text_size__hover_enabled=“off“ button_one_text_size__hover_enabled=“off“ button_two_text_size__hover_enabled=“off“ button_text_color__hover_enabled=“off“ button_one_text_color__hover_enabled=“off“ button_two_text_color__hover_enabled=“off“ button_border_width__hover_enabled=“off“ button_one_border_width__hover_enabled=“off“ button_two_border_width__hover_enabled=“off“ button_border_color__hover_enabled=“off“ button_one_border_color__hover_enabled=“off“ button_two_border_color__hover_enabled=“off“ button_border_radius__hover_enabled=“off“ button_one_border_radius__hover_enabled=“off“ button_two_border_radius__hover_enabled=“off“ button_letter_spacing__hover_enabled=“off“ button_one_letter_spacing__hover_enabled=“off“ button_two_letter_spacing__hover_enabled=“off“ button_bg_color__hover_enabled=“off“ button_one_bg_color__hover_enabled=“off“ button_two_bg_color__hover_enabled=“off“]<\/p>\n

\n

\u201cIch bin \u00fcberzeugt, dass Lorenzo Palomo\u2019s THE SNEETCHES ein St\u00fctzpfeiler des Orchesterrepertoires werden, neben Klassikern wie Prokofjew\u2019s \u201cPeter und der Wolf\u201d und Britten’s \u201cThe Young Persons Guide to the Orchestra\u201d.\u201d<\/span><\/p>\n<\/blockquote>\n

– Martin Bookspan, AMERIKANISCHER KRITIKER UND KOMMENTATOR –<\/h5>\n
New York<\/h5>\n

[\/et_pb_slide][et_pb_slide heading=“Was andere sagen“ use_bg_overlay=“on“ bg_overlay_color=“rgba(28,33,38,0)“ use_text_overlay=“off“ _builder_version=“3.16″ header_level=“h1″ header_font=“||||“ header_font_size_tablet=“38″ header_font_size_phone=“40″ header_font_size_last_edited=“on|desktop“ body_font=“||||“ background_color=“rgba(0,0,0,0)“ background_image=“http:\/\/stage.lorenzopalomo.com\/wp-content\/uploads\/2015\/11\/Lorenzo-Palomo.png“ custom_css_main_element=“color: #fff !important;“ button_text_size__hover_enabled=“off“ button_one_text_size__hover_enabled=“off“ button_two_text_size__hover_enabled=“off“ button_text_color__hover_enabled=“off“ button_one_text_color__hover_enabled=“off“ button_two_text_color__hover_enabled=“off“ button_border_width__hover_enabled=“off“ button_one_border_width__hover_enabled=“off“ button_two_border_width__hover_enabled=“off“ button_border_color__hover_enabled=“off“ button_one_border_color__hover_enabled=“off“ button_two_border_color__hover_enabled=“off“ button_border_radius__hover_enabled=“off“ button_one_border_radius__hover_enabled=“off“ button_two_border_radius__hover_enabled=“off“ button_letter_spacing__hover_enabled=“off“ button_one_letter_spacing__hover_enabled=“off“ button_two_letter_spacing__hover_enabled=“off“ button_bg_color__hover_enabled=“off“ button_one_bg_color__hover_enabled=“off“ button_two_bg_color__hover_enabled=“off“]<\/p>\n

\n

\u201cDas M\u00e4rchen von Dr. Seuss hat jedem von uns etwas zu erz\u00e4hlen, und kombiniert mit der bezaubernden Musik von Lorenzo Palomo ist \u201cThe Sneetches\u201c die perfekte Verbindung von Fachgebieten – Soziologie (wann wird die Diskriminierung enden?), Rhetorik, visuelle und musikalische K\u00fcnste. Alles was Anlass zu Diskussionen gibt und immer geben wird, im Klassenzimmer, im Gemeindezentrum, am Esstisch und \u00fcberall, wo Leute zusammentreffen. \u201cThe Sneetches\u201c wirkt auf allen Ebenen und verdient es, weltweit seinen Weg in die Programmplanung der Orchester zu finden. Es ist kein Konzertst\u00fcck f\u00fcr Kinder, sondern ein intelligent geschriebenes Werk, das in der Lage ist, jeden zu fesseln, unabh\u00e4ngig von Alter und Lebensweg.<\/span>\u201d<\/span><\/p>\n<\/blockquote>\n

– Mike Telin, Cleveland classical – Ohio –<\/h5>\n
\u00fcber „THE SNEETCHES“<\/h5>\n

[\/et_pb_slide][et_pb_slide heading=“Was andere sagen“ use_bg_overlay=“on“ bg_overlay_color=“rgba(28,33,38,0)“ use_text_overlay=“off“ _builder_version=“3.16″ header_level=“h1″ header_font=“||||“ header_font_size_tablet=“38″ header_font_size_phone=“40″ header_font_size_last_edited=“on|desktop“ body_font=“||||“ background_color=“rgba(0,0,0,0)“ background_image=“http:\/\/stage.lorenzopalomo.com\/wp-content\/uploads\/2015\/11\/Lorenzo-Palomo.png“ custom_css_main_element=“color: #fff !important;“ button_text_size__hover_enabled=“off“ button_one_text_size__hover_enabled=“off“ button_two_text_size__hover_enabled=“off“ button_text_color__hover_enabled=“off“ button_one_text_color__hover_enabled=“off“ button_two_text_color__hover_enabled=“off“ button_border_width__hover_enabled=“off“ button_one_border_width__hover_enabled=“off“ button_two_border_width__hover_enabled=“off“ button_border_color__hover_enabled=“off“ button_one_border_color__hover_enabled=“off“ button_two_border_color__hover_enabled=“off“ button_border_radius__hover_enabled=“off“ button_one_border_radius__hover_enabled=“off“ button_two_border_radius__hover_enabled=“off“ button_letter_spacing__hover_enabled=“off“ button_one_letter_spacing__hover_enabled=“off“ button_two_letter_spacing__hover_enabled=“off“ button_bg_color__hover_enabled=“off“ button_one_bg_color__hover_enabled=“off“ button_two_bg_color__hover_enabled=“off“]<\/p>\n

\n

\u201cIch war wirklich hingerissen von Palomo\u2019s Musik und glaube, dass sie ihren Weg in das \u201eklassische Standardrepertoire\u201c finden wird, da sie brillant geschrieben ist und eine zeitlose soziale Botschaft hat.\u201d Aber vor allem: Es ist Vergn\u00fcgen! \u201d<\/span><\/p>\n<\/blockquote>\n

– Mike Telin, Cleveland classical – Ohio –<\/h5>\n
\u00dcber „THE SNEETCHES“<\/h5>\n

[\/et_pb_slide][\/et_pb_fullwidth_slider][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

[et_pb_section fb_built=“1″ custom_padding_last_edited=“on|desktop“ admin_label=“section“ _builder_version=“3.0.85″ background_color=“#fbf1e3″ custom_padding_tablet=“50px|0|50px|0″ transparent_background=“off“][et_pb_row custom_padding=“80px||80px|“ padding_mobile=“off“ column_padding_mobile=“on“ background_color_1=“#fbf1e3″ parallax_method_1=“off“ admin_label=“row“ _builder_version=“3.0.85″ background_color=“#fbf1e3″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“][et_pb_column type=“1_2″ _builder_version=“3.0.47″][et_pb_text _builder_version=“3.0.89″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ module_alignment=“left“] The Sneetches Dr. Seuss\u2019 The Sneetches Sinfonisches M\u00e4rchen f\u00fcr Erz\u00e4hler und Orchester & Erz\u00e4hler und zwei Klaviere KOMPOSITIONSAUFTRAG VON DR. SIDNEY & BARBARA SOBEL [\/et_pb_text][et_pb_divider show_divider=“off“ height=“30px“ _builder_version=“3.2″]\u00a0 [\/et_pb_divider][et_pb_image […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":""},"project_category":[134],"project_tag":[],"_links":{"self":[{"href":"http:\/\/lorenzopalomo.com\/de\/wp-json\/wp\/v2\/project\/207462"}],"collection":[{"href":"http:\/\/lorenzopalomo.com\/de\/wp-json\/wp\/v2\/project"}],"about":[{"href":"http:\/\/lorenzopalomo.com\/de\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"http:\/\/lorenzopalomo.com\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/lorenzopalomo.com\/de\/wp-json\/wp\/v2\/comments?post=207462"}],"version-history":[{"count":19,"href":"http:\/\/lorenzopalomo.com\/de\/wp-json\/wp\/v2\/project\/207462\/revisions"}],"predecessor-version":[{"id":208788,"href":"http:\/\/lorenzopalomo.com\/de\/wp-json\/wp\/v2\/project\/207462\/revisions\/208788"}],"wp:attachment":[{"href":"http:\/\/lorenzopalomo.com\/de\/wp-json\/wp\/v2\/media?parent=207462"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"http:\/\/lorenzopalomo.com\/de\/wp-json\/wp\/v2\/project_category?post=207462"},{"taxonomy":"project_tag","embeddable":true,"href":"http:\/\/lorenzopalomo.com\/de\/wp-json\/wp\/v2\/project_tag?post=207462"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}