[et_pb_section fb_built=“1″ background_color=“#fbf1e3″ admin_label=“section“ custom_padding_last_edited=“on|desktop“ _builder_version=“3.0.85″ custom_padding_tablet=“50px|0|50px|0″ transparent_background=“off“][et_pb_row custom_padding=“80px||80px|“ padding_mobile=“off“ background_color=“#fbf1e3″ column_padding_mobile=“on“ background_color_1=“#fbf1e3″ parallax_method_1=“off“ admin_label=“row“ _builder_version=“3.0.85″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“][et_pb_column type=“2_3″ _builder_version=“3.0.47″ column_padding_mobile=“on“ background_color=“#fbf1e3″ parallax=“off“ parallax_method=“off“][et_pb_text _builder_version=“3.0.89″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ module_alignment=“left“]<\/p>\n
\nSinfonisches M\u00e4rchen f\u00fcr Sopran, Mezzo und Orchester<\/span><\/p>\n<\/blockquote>\n
NACH GEDICHTEN VON
CARLOS MURCIANO<\/span><\/h6>\n\n
- \n
\n
- El adi\u00f3s <\/span><\/strong>(Der Abschied)<\/span><\/em>
In \u201cEl adi\u00f3s\u201d wird von der ersten Liebe der beiden B\u00e4rchen erz\u00e4hlt und ihrer Spazierfahrt durch Madrid in dem Wagen, den ihnen Cibeles geliehen hat, gipfelnd im Abschied der beiden und einem dramatischen Lebewohl.<\/li>\n- La ausencia <\/span><\/strong>(Die Abwesenheit)<\/span><\/em>
Im zweiten Satz beweint das madrilenische B\u00e4renm\u00e4dchen in ihrer Einsamkeit die Abwesenheit ihres Berliner B\u00e4ren und besingt in Verz\u00fcckung und voller Nostalgie das Brandenburger Tor.<\/li>\n- El regreso <\/span><\/strong>(Die R\u00fcckkehr)<\/span><\/em>
Im dritten Satz gibt es ein Wiedersehen zwischen den beiden B\u00e4rchen und sie besingen ihre Liebe und ihre Gl\u00fcckseligkeit.<\/li>\n<\/ol>\n<\/li>\n<\/ul>\n<\/p>\n
<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_3″ _builder_version=“3.0.47″ column_padding_mobile=“on“ parallax=“off“ parallax_method=“on“][et_pb_divider height=“10px“ _builder_version=“3.0.85″][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=“80px||80px|“ padding_mobile=“off“ column_padding_mobile=“on“ parallax_method_1=“off“ admin_label=“row“ _builder_version=“3.0.47″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“][et_pb_column type=“1_2″ _builder_version=“3.0.47″ column_padding_mobile=“on“ parallax=“off“ parallax_method=“off“][et_pb_divider _builder_version=“3.0.82″][\/et_pb_divider][et_pb_team_member name=“URAUFF\u00dcHRUNG“ admin_label=“Info“ _builder_version=“3.0.89″ header_text_align=“left“ header_text_color=“#d63e30″ body_text_align=“left“ body_text_color=“#000000″ text_orientation=“left“]<\/p>\n
Konzerthaus de Berlin
5. November 2008
Sopran: Marussa Xyni
Mezzo: Ulrike Mayer
Orquesta Filarm\u00f3nica de C\u00e1mara Madrid Berl\u00edn
Dirigent: Miguel Angel G\u00f3mez Martinez<\/p>\n[\/et_pb_team_member][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“3.0.47″ column_padding_mobile=“on“ parallax=“off“ parallax_method=“on“][et_pb_divider _builder_version=“3.0.82″][\/et_pb_divider][et_pb_team_member name=“VERLAG“ admin_label=“Info“ _builder_version=“3.0.89″ header_text_align=“left“ header_text_color=“#d63e30″ body_text_align=“left“ body_text_color=“#000000″ text_orientation=“left“ global_module=“207325″ saved_tabs=“all“]<\/p>\n
Ediciones QUIROGA<\/p>\n
Alcal\u00e1, 70
28009 Madrid, Spanien
Tel: +34-91-577 07 51
Fax: +34-91-575 76 45
seemsa@seemsa.com
www.seemsa.com<\/p>\n[\/et_pb_team_member][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
[et_pb_section fb_built=“1″ background_color=“#fbf1e3″ admin_label=“section“ custom_padding_last_edited=“on|desktop“ _builder_version=“3.0.85″ custom_padding_tablet=“50px|0|50px|0″ transparent_background=“off“][et_pb_row custom_padding=“80px||80px|“ padding_mobile=“off“ background_color=“#fbf1e3″ column_padding_mobile=“on“ background_color_1=“#fbf1e3″ parallax_method_1=“off“ admin_label=“row“ _builder_version=“3.0.85″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“][et_pb_column type=“2_3″ _builder_version=“3.0.47″ column_padding_mobile=“on“ background_color=“#fbf1e3″ parallax=“off“ parallax_method=“off“][et_pb_text _builder_version=“3.0.89″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ module_alignment=“left“] El amor de los dos ositos DIE LIEBE DER ZWEI B\u00c4RCHEN Sinfonisches M\u00e4rchen f\u00fcr Sopran, Mezzo und Orchester NACH GEDICHTEN VON CARLOS MURCIANO El adi\u00f3s […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":""},"project_category":[130],"project_tag":[],"_links":{"self":[{"href":"http:\/\/lorenzopalomo.com\/de\/wp-json\/wp\/v2\/project\/207432"}],"collection":[{"href":"http:\/\/lorenzopalomo.com\/de\/wp-json\/wp\/v2\/project"}],"about":[{"href":"http:\/\/lorenzopalomo.com\/de\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"http:\/\/lorenzopalomo.com\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/lorenzopalomo.com\/de\/wp-json\/wp\/v2\/comments?post=207432"}],"version-history":[{"count":3,"href":"http:\/\/lorenzopalomo.com\/de\/wp-json\/wp\/v2\/project\/207432\/revisions"}],"predecessor-version":[{"id":207856,"href":"http:\/\/lorenzopalomo.com\/de\/wp-json\/wp\/v2\/project\/207432\/revisions\/207856"}],"wp:attachment":[{"href":"http:\/\/lorenzopalomo.com\/de\/wp-json\/wp\/v2\/media?parent=207432"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"http:\/\/lorenzopalomo.com\/de\/wp-json\/wp\/v2\/project_category?post=207432"},{"taxonomy":"project_tag","embeddable":true,"href":"http:\/\/lorenzopalomo.com\/de\/wp-json\/wp\/v2\/project_tag?post=207432"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}