[et_pb_section fb_built=“1″ custom_padding_last_edited=“on|desktop“ admin_label=“section“ _builder_version=“3.0.85″ background_color=“#fbf1e3″ custom_padding_tablet=“50px|0|50px|0″ transparent_background=“off“][et_pb_row custom_padding=“80px||80px|“ padding_mobile=“off“ column_padding_mobile=“on“ background_color_1=“#fbf1e3″ parallax_method_1=“off“ admin_label=“row“ _builder_version=“3.0.85″ background_color=“#fbf1e3″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“][et_pb_column type=“1_2″ _builder_version=“3.0.47″][et_pb_text _builder_version=“3.0.89″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ module_alignment=“left“]<\/p>\n
Liederzyklus f\u00fcr Singstimme und Klavier<\/span><\/p><\/blockquote>\n
KOMPOSITIONSAUFTRAGS DES
\nCENTRO NACIONAL DE
\nDIFUSI\u00d3N MUSICAL DE ESPA\u00d1A<\/span><\/h6>\n\n
- \n
\n
- Song of Innocence\u00a0<\/strong> (Lied der Unschuld)<\/em>
\nNach einem Gedicht von William Blake<\/li>\n- L\u2019Amour endormi\u00a0<\/strong> (Der schlafende Amor)<\/em>
\nNach einem Gedicht von Andr\u00e9 Ch\u00e9nier<\/li>\n- Ballata a la luna\u00a0<\/strong>\u00a0(Ballade <\/em>an den Mond)<\/em>
\nNach einem Gedicht von Emilio Praga<\/li>\n- Ni\u00f1a junto al r\u00edo<\/strong>\u00a0 (M\u00e4dchen am Fluss)<\/em>
\nNach einem Gedicht von Carlos Murciano<\/li>\n- H\u00f6rst du, wie die Brunnen rauschen?<\/strong>
\nNach einem Gedicht von Clemens Brentano<\/li>\n<\/ol>\n<\/li>\n<\/ul>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“3.0.47″][et_pb_gallery gallery_ids=“207896″ posts_number=“1″ orientation=“portrait“ show_title_and_caption=“off“ show_pagination=“off“ zoom_icon_color=“rgba(250,248,245,0)“ hover_overlay_color=“rgba(237,176,89,0)“ hover_icon=“%%43%%“ _builder_version=“3.0.89″ pagination_font_size_tablet=“51″ pagination_line_height_tablet=“2″ box_shadow_style_image=“preset3″ saved_tabs=“all“][\/et_pb_gallery][et_pb_divider show_divider=“off“ height=“10px“ _builder_version=“3.2″][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=“80px||80px|“ padding_mobile=“off“ column_padding_mobile=“on“ parallax_method_1=“off“ admin_label=“row“ _builder_version=“3.0.47″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“][et_pb_column type=“1_2″ _builder_version=“3.0.47″][et_pb_divider show_divider=“off“ _builder_version=“3.2″][\/et_pb_divider][et_pb_team_member name=“URAUFF\u00dcHRUNG“ admin_label=“Info“ _builder_version=“3.0.89″ header_text_align=“left“ header_text_color=“#d63e30″ body_text_align=“left“ body_text_color=“#000000″ text_orientation=“left“]Teatro de la Zarzuela, Madrid
\n10. Dezember 2018
\nSopran: Ainhoa Arteta
\nKlavier: Roger Vignoles
\n[\/et_pb_team_member][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“3.0.47″][et_pb_divider show_divider=“off“ _builder_version=“3.2″][\/et_pb_divider][et_pb_team_member name=“VERLAG“ admin_label=“Info: Piles Editorial de M\u00fasica“ _builder_version=“3.20.1″ header_font=“||||||||“ header_text_align=“left“ header_text_color=“#d63e30″ body_text_align=“left“ body_text_color=“#000000″ text_orientation=“left“ global_module=“207303″ saved_tabs=“all“]<\/p>\n