[et_pb_section fb_built=“1″ custom_padding_last_edited=“on|desktop“ admin_label=“section“ _builder_version=“3.0.85″ background_color=“#fbf1e3″ custom_padding_tablet=“50px|0|50px|0″ transparent_background=“off“][et_pb_row custom_padding=“80px||80px|“ padding_mobile=“off“ column_padding_mobile=“on“ background_color_1=“#fbf1e3″ parallax_method_1=“off“ admin_label=“row“ _builder_version=“3.0.85″ background_color=“#fbf1e3″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“][et_pb_column type=“1_2″ _builder_version=“3.0.47″][et_pb_text _builder_version=“3.0.89″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ module_alignment=“left“]<\/p>\n
\nLiederzyklus f\u00fcr Singstimme und Klavier
\n& f\u00fcr Singstimme und Orchester
\n<\/span><\/p>\n<\/blockquote>\nVersion f\u00fcr Sopran oder Mezzosopran und Klavier<\/span><\/p>\n
KOMPOSITIONSAUFTRAG VON
\nMONTSERRAT CABALL\u00c9
\n<\/span><\/h6>\n\n
- \n
\n
- \n
\n
- La puerta entornada (Die angelehnte T\u00fcr)<\/span><\/i><\/strong>
\nNach einem Gedicht von Rafael Duyos<\/span><\/li>\n- Madre, cuando yo me case (Mutter, wenn ich heirate)<\/span><\/i><\/span><\/strong>\u00a0<\/strong><\/em>
\nNach einem Gedicht von Gabriel Baldrich<\/span><\/li>\n- La muntanya d\u2019amatistes (Der Berg der Amethyste)<\/span><\/i><\/span><\/strong>
\nNach einem Gedicht von Guerau de Liost<\/span><\/li>\n- Canci\u00f3n de la aldelfa y el r\u00edo (Lied vom Oleander und vom Fluss)<\/span><\/i><\/span><\/strong>
\nNach einem Gedicht von Gabriel Baldrich<\/span><\/li>\n- Serrana\u00a0(Lied der Berge)<\/span><\/i><\/span><\/strong>
\nVolksgut<\/span><\/li>\n<\/ol>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“3.0.47″][et_pb_gallery gallery_ids=“204036″ posts_number=“1″ orientation=“portrait“ show_title_and_caption=“off“ show_pagination=“off“ zoom_icon_color=“rgba(250,248,245,0)“ hover_overlay_color=“rgba(237,176,89,0)“ hover_icon=“%%43%%“ _builder_version=“3.0.87″ pagination_font_size_tablet=“51″ pagination_line_height_tablet=“2″ border_style_top_image=“solid“ border_style_right_image=“solid“ border_style_bottom_image=“solid“ border_style_left_image=“solid“ box_shadow_style_image=“preset3″][\/et_pb_gallery][et_pb_divider show_divider=“off“ height=“10px“ _builder_version=“3.2″][\/et_pb_divider][et_pb_audio audio=“http:\/\/stage.lorenzopalomo.com\/wp-content\/uploads\/2017\/10\/02_madre.mp3″ title=“Madre, cuando yo me case“ artist_name=“Real Orquesta Sinf\u00f3nica de Sevilla“ album_name=“Sopran: Mar\u00eda Bayo | Dirigent: Rafael Fr\u00fchbeck de Burgos“ _builder_version=“3.0.89″ title_text_align=“center“ title_text_color=“#000000″ title_font_size=“16″ caption_text_align=“center“ caption_text_color=“#000000″ background_color=“#fbf1e3″ border_width_all=“2px“ border_color_all=“#d63e30″ background_layout=“light“][\/et_pb_audio][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=“80px||80px|“ padding_mobile=“off“ column_padding_mobile=“on“ parallax_method_1=“off“ admin_label=“row“ _builder_version=“3.0.47″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“][et_pb_column type=“1_2″ _builder_version=“3.0.47″][et_pb_divider show_divider=“off“ _builder_version=“3.2″][\/et_pb_divider][et_pb_team_member name=“URAUFF\u00dcHRUNG“ admin_label=“Info“ _builder_version=“3.0.89″ header_text_align=“left“ header_text_color=“#d63e30″ body_text_align=“left“ text_orientation=“left“]Version f\u00fcr Singstimme und Klavier<\/p>\n
Carnegie Hall, New York
\n27. Februar 1987
\nSopran: Montserrat Caball\u00e9
\nKlavier: Miguel Zanetti<\/p>\n
\n[\/et_pb_team_member][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“3.0.47″][et_pb_divider show_divider=“off“ _builder_version=“3.2″][\/et_pb_divider][et_pb_team_member name=“VERLAG“ admin_label=“Info“ _builder_version=“3.0.89″ header_text_align=“left“ header_text_color=“#d63e30″ body_text_align=“left“ text_orientation=“left“]International Music Company
\n35 W 45th Street
\n2nd Floor
\nNew York, NY 10036, USA
\nTel. 001-212-391 42 00
\nFax: 001-212-391 43 06
\ninfo@internationalmusicco.com
\nwww.internationalmusicco.com<\/a><\/span>
\n[\/et_pb_team_member][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=“80px||80px|“ padding_mobile=“off“ column_padding_mobile=“on“ parallax_method_1=“off“ admin_label=“row“ _builder_version=“3.0.47″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“][et_pb_column type=“1_2″ _builder_version=“3.0.47″][et_pb_team_member name=“Premiere “ admin_label=“Info“ _builder_version=“3.20.1″ header_text_align=“left“ header_text_color=“#d63e30″ body_text_align=“left“ text_orientation=“left“]<\/p>\nVersion f\u00fcr Singstimme und Orchester<\/p>\n
Teatro Municipal Miguel de Cervantes, M\u00e1laga
15. April 1994
Sopran: Marussa Xyni
Orquesta Filarm\u00f3nica de M\u00e1laga
Dirigent: Miguel Angel G\u00f3mez Mart\u00ednez<\/p>\n<\/p>\n
<\/p>\n
[\/et_pb_team_member][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“3.0.47″][et_pb_team_member name=“VERTEILUNG“ admin_label=“Info“ _builder_version=“3.0.89″ header_text_align=“left“ header_text_color=“#d63e30″ body_text_align=“left“ body_text_color=“#161616″ text_orientation=“left“ saved_tabs=“all“]isabel@pilesmusic.net<\/a><\/em><\/span><\/p>\n